420 x 594mm
3 hand pulled inks on 300gsm Ancona 21 paper.
Edition of 24
Numbered and signed by the artist
One of nine Allsorts editions. Bertie Bassett meets Kenneth Noland. There’s an often-overlooked, but interesting compositional and colour structure in confectionary. These pieces offer an opportunity to present a reductive contemplation on those structures. Flat matt colours on uncoated stock, with liquorice elements printed in a semi-gloss sheen black ink. No gloss on the hundreds and thousands Allsorts, but a nice Fibonacci pattern to compensate.
If you buy more than one Allsorts print, I’ll throw in a bonus set of offset-litho printed A6 postcards, which incorporate all the nine Allsorts compositions.