I screenprint everything personally – which makes for a bit more variability than a master printer would produce, but I come from a background where everything I created has been precisely identical, so the human charm of the unique holds much more appeal. That said, plenty of rejects never see the light of day. I tend to produce very small editions, and move on to something new. I’m particularly drawn to special finishes – gilding, bronzing, pigment and diamond dusting. I’m also interested in combining processes and crafts that generally don’t get to hang out together. Typically my work involves a computer somewhere along the line, and then that gets dragged over some old-school manual coals.

I make images. I’m usually guided more by formal and emotive considerations than narrative ones, in creating pieces. They’re obviously works of art, but I’m far more comfortable wearing the printmaker, or image-maker cap than the artist’s one. I employ the skills of a visual designer, and consider what I’m doing more of an extension of that, than something I’d understand as Fine Art. But none of that really matters, if the work speaks to you.